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	<title>typecast</title>
	<atom:link href="http://typecast.qwriting.org/feed/" rel="self" type="application/rss+xml" />
	<link>http://typecast.qwriting.org</link>
	<description>how can film speak of writing?</description>
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		<title>Asleep at the Movies</title>
		<link>http://typecast.qwriting.org/2012/05/03/asleep-at-the-movies/</link>
		<comments>http://typecast.qwriting.org/2012/05/03/asleep-at-the-movies/#comments</comments>
		<pubDate>Thu, 03 May 2012 13:00:18 +0000</pubDate>
		<dc:creator>Kevin L. Ferguson</dc:creator>
				<category><![CDATA[Typecast]]></category>

		<guid isPermaLink="false">http://typecast.qwriting.org/?p=639</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-640" src="http://typecast.qwriting.org/files/2012/04/Asleep-at-the-Movies-1.jpg" alt="" width="1000" height="1632" /><br />
<img class="alignnone size-full wp-image-642" src="http://typecast.qwriting.org/files/2012/04/TheConformist.jpg" alt="" width="663" height="419" /><br />
<img class="alignnone size-full wp-image-641" src="http://typecast.qwriting.org/files/2012/04/Asleep-at-the-Movies-2.jpg" alt="" width="1000" height="805" /></p>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>They Might Be Giants</title>
		<link>http://typecast.qwriting.org/2012/04/28/they-might-be-giants/</link>
		<comments>http://typecast.qwriting.org/2012/04/28/they-might-be-giants/#comments</comments>
		<pubDate>Sat, 28 Apr 2012 13:54:32 +0000</pubDate>
		<dc:creator>Kevin L. Ferguson</dc:creator>
				<category><![CDATA[Typecast]]></category>

		<guid isPermaLink="false">http://typecast.qwriting.org/?p=634</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><img class="size-full wp-image-635" src="http://typecast.qwriting.org/files/2012/04/They-Might-Be-Giants1.png" alt="" width="1054" height="737" /></p>
<p><img class="alignnone size-full wp-image-636" src="http://typecast.qwriting.org/files/2012/04/They-Might-Be-Giants.jpg" alt="" width="1000" height="500" /></p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Some Typewriters I&#8217;ve Watched Recently</title>
		<link>http://typecast.qwriting.org/2012/04/20/some-typewriters-ive-watched-recently/</link>
		<comments>http://typecast.qwriting.org/2012/04/20/some-typewriters-ive-watched-recently/#comments</comments>
		<pubDate>Fri, 20 Apr 2012 12:00:58 +0000</pubDate>
		<dc:creator>Kevin L. Ferguson</dc:creator>
				<category><![CDATA[Typecast]]></category>

		<guid isPermaLink="false">http://typecast.qwriting.org/?p=603</guid>
		<description><![CDATA[The Seven-Ups, Philip D&#8217;Antoni, 1973 Pauline à la plage, Eric Rohmer, 1983 Heat, Dick Richards, 1986 Hard Target, John Woo, 1993 Death Wish II, Michael Winner, 1982 A Dangerous Method, David Cronenberg, 2011 Welt am Draht, Rainer Werner Fassbinder, 1973]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-605" src="http://typecast.qwriting.org/files/2012/04/The-Seven-Ups.png" alt="" width="1274" height="716" /><br />
<em>The Seven-Ups</em>, Philip D&#8217;Antoni, 1973</p>
<p><img src="http://typecast.qwriting.org/files/2012/04/Pauline-at-the-Beach.png" alt="Pauline at the Beach" width="1191" height="717" border="0" /><br />
<em>Pauline à la plage</em>, Eric Rohmer, 1983</p>
<p><img src="http://typecast.qwriting.org/files/2012/04/Heat1.png" alt="" width="1036" height="790" class="alignnone size-full wp-image-620" /><br />
<em>Heat</em>, Dick Richards, 1986</p>
<p><img src="http://typecast.qwriting.org/files/2012/04/Hard-Target1.png" alt="" width="1278" height="716" class="alignnone size-full wp-image-621" /><br />
<em>Hard Target</em>, John Woo, 1993</p>
<p><img src="http://typecast.qwriting.org/files/2012/04/Death-Wish-II-21.png" alt="Death Wish II 2" width="1277" height="687" border="0" /><br />
<img src="http://typecast.qwriting.org/files/2012/04/Death-Wish-II-44.png" alt="" width="1276" height="690" class="alignnone size-full wp-image-622" /><br />
<em>Death Wish II</em>, Michael Winner, 1982</p>
<p><img src="http://typecast.qwriting.org/files/2012/04/DangerousMethod-1.png" alt="" width="1226" height="662" class="alignnone size-full wp-image-623" /><br />
<img src="http://typecast.qwriting.org/files/2012/04/DangerousMethod-4.png" alt="" width="1226" height="662" class="alignnone size-full wp-image-624" /><br />
<em>A Dangerous Method</em>, David Cronenberg, 2011</p>
<p><img src="http://typecast.qwriting.org/files/2012/04/WorldonaWire2.png" alt="" width="966" height="709" class="alignnone size-full wp-image-629" /><br />
<em>Welt am Draht</em>, Rainer Werner Fassbinder, 1973</p>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Accidental/At Will</title>
		<link>http://typecast.qwriting.org/2012/04/05/accidentalat-will/</link>
		<comments>http://typecast.qwriting.org/2012/04/05/accidentalat-will/#comments</comments>
		<pubDate>Thu, 05 Apr 2012 13:00:11 +0000</pubDate>
		<dc:creator>Kevin L. Ferguson</dc:creator>
				<category><![CDATA[One Sentence, One Film]]></category>

		<guid isPermaLink="false">http://typecast.qwriting.org/?p=589</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-590" src="http://typecast.qwriting.org/files/2012/03/Accidental_At-Will-1-Red.jpg" alt="A typewritten page about a Jacques Rivette article where he compares the shot and the sentence; I compare this to Roland Barthes distinction between &quot;monumental writing&quot; and &quot;ephemeral speech&quot; and discuss the character Angie in Olivier Assayas's film Carlos." width="1000" height="1392" /><br />
<img class="alignnone size-full wp-image-591" src="http://typecast.qwriting.org/files/2012/03/Accidental_At-Will-2-Red.jpg" alt="A typewritten page about a Jacques Rivette article where he compares the shot and the sentence; I compare this to Roland Barthes distinction between &quot;monumental writing&quot; and &quot;ephemeral speech&quot; and discuss the character Angie in Olivier Assayas's film Carlos." width="1003" height="1204" /><br />
<img class="alignnone size-full wp-image-592" src="http://typecast.qwriting.org/files/2012/03/Angie-in-Assayas-Carlos.png" alt="" width="867" height="360" /><br />
<img src="http://typecast.qwriting.org/files/2012/04/Accidental_At-Will-3-Red.jpg" alt="A typewritten page about a Jacques Rivette article where he compares the shot and the sentence; I compare this to Roland Barthes distinction between &quot;monumental writing&quot; and &quot;ephemeral speech&quot; and discuss the character Angie in Olivier Assayas&#039;s film Carlos." width="1000" height="539" class="alignnone size-full wp-image-596" /></p>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Virginia at the Movies, Part V</title>
		<link>http://typecast.qwriting.org/2012/04/02/virginia-at-the-movies-part-v/</link>
		<comments>http://typecast.qwriting.org/2012/04/02/virginia-at-the-movies-part-v/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 13:00:04 +0000</pubDate>
		<dc:creator>Kevin L. Ferguson</dc:creator>
				<category><![CDATA[Watching Quotes]]></category>

		<guid isPermaLink="false">http://typecast.qwriting.org/?p=581</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-582" src="http://typecast.qwriting.org/files/2012/03/Virginia-V-1-Red.jpg" alt="A typewritten page about Virginia Woolf's essay &quot;The Movies and Reality,&quot; discussing her reaction to the horrific quivering tadpole of The Cabinet of Dr. Caligari." width="1000" height="1797" /></p>
<p><img class="alignnone size-full wp-image-584" src="http://typecast.qwriting.org/files/2012/03/cabinet-du-dr-caligari-02-g.jpeg" alt="" width="1200" height="927" /></p>
<p><img class="alignnone size-full wp-image-583" src="http://typecast.qwriting.org/files/2012/03/Virginia-V-2-Red.jpg" alt="A typewritten page about Virginia Woolf's essay &quot;The Movies and Reality,&quot; discussing her reaction to the horrific quivering tadpole of The Cabinet of Dr. Caligari." width="1000" height="1195" /></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Evenly Suspended Attention</title>
		<link>http://typecast.qwriting.org/2012/03/26/evenly-suspended-attention/</link>
		<comments>http://typecast.qwriting.org/2012/03/26/evenly-suspended-attention/#comments</comments>
		<pubDate>Mon, 26 Mar 2012 13:00:20 +0000</pubDate>
		<dc:creator>Kevin L. Ferguson</dc:creator>
				<category><![CDATA[One Sentence, One Film]]></category>

		<guid isPermaLink="false">http://typecast.qwriting.org/?p=546</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://typecast.qwriting.org/files/2012/03/evenly-sus-1Red.jpg"><img class="alignnone size-full wp-image-576" src="http://typecast.qwriting.org/files/2012/03/evenly-sus-1Red.jpg" alt="a typewritten page applying Freud's notion of &quot;evenly suspended attention&quot; to Abbas Kairostami's Certified Copy (Copie conforme), particularly focusing on the son's complaint that his mother is &quot;starry-eyed&quot;" width="1004" height="1514" /></a><a href="http://typecast.qwriting.org/files/2012/03/Certified-Copy-Sit.png"><img class="alignnone size-full wp-image-548" src="http://typecast.qwriting.org/files/2012/03/Certified-Copy-Sit.png" alt="Juliette Binoche telling son to wait in Certified Copy (Abbas Kiarostami)" width="1278" height="685" /></a><a href="http://typecast.qwriting.org/files/2012/03/evenly-sus-2.jpg"><img class="alignnone size-full wp-image-577" src="http://typecast.qwriting.org/files/2012/03/evenly-sus-2.jpg" alt="a typewritten page applying Freud's notion of &quot;evenly suspended attention&quot; to Abbas Kairostami's Certified Copy (Copie conforme), particularly focusing on the son's complaint that his mother is &quot;starry-eyed&quot;" width="1004" height="1316" /></a><br />
<a href="http://typecast.qwriting.org/files/2012/03/Certified-Copy-Five.png"><img class="alignnone size-full wp-image-549" src="http://typecast.qwriting.org/files/2012/03/Certified-Copy-Five.png" alt="Juliette Binoche negotiating with son to wait for five more minutes" width="1278" height="683" /></a> <img class="alignnone size-full wp-image-578" src="http://typecast.qwriting.org/files/2012/03/evenly-sus-3Red.jpg" alt="a typewritten page applying Freud's notion of &quot;evenly suspended attention&quot; to Abbas Kairostami's Certified Copy (Copie conforme), particularly focusing on the son's complaint that his mother is &quot;starry-eyed&quot;" width="1000" height="762" /><a href="http://typecast.qwriting.org/files/2012/03/Certified-Copy-Starry.png"><img class="alignnone size-full wp-image-550" src="http://typecast.qwriting.org/files/2012/03/Certified-Copy-Starry.png" alt="The son in Certified Copy (Abas Kiarostami) explains Freud's &quot;evenly suspended attention&quot; to Juliette Binoche" width="1279" height="687" /></a></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Madness and Writing</title>
		<link>http://typecast.qwriting.org/2012/03/21/madness-and-writing/</link>
		<comments>http://typecast.qwriting.org/2012/03/21/madness-and-writing/#comments</comments>
		<pubDate>Wed, 21 Mar 2012 10:00:01 +0000</pubDate>
		<dc:creator>Kevin L. Ferguson</dc:creator>
				<category><![CDATA[Written on the Scrim]]></category>

		<guid isPermaLink="false">http://typecast.qwriting.org/?p=553</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://typecast.qwriting.org/files/2012/03/madwoman1Red.jpg"><img class="alignnone size-full wp-image-571" src="http://typecast.qwriting.org/files/2012/03/madwoman1Red.jpg" alt="a typewritten page about François Ozon's Regarde la mer [Sea the Sea] and how madness is show through writing (via Shoshana Felman) " width="1000" height="892" /></a><a href="http://typecast.qwriting.org/files/2012/03/RegardelaMer.png"><img class="alignnone size-full wp-image-555" src="http://typecast.qwriting.org/files/2012/03/RegardelaMer.png" alt="Marina de Van's mad writing in Regarde la mer (François Ozon)" width="1263" height="712" /></a><a href="http://typecast.qwriting.org/files/2012/03/madwoman-2-Red.jpg"><img class="alignnone size-full wp-image-572" src="http://typecast.qwriting.org/files/2012/03/madwoman-2-Red.jpg" alt="a typewritten page about François Ozon's Regarde la mer [Sea the Sea] and how madness is show through writing (via Shoshana Felman) " width="994" height="535" /></a></p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Written on the Scrim</title>
		<link>http://typecast.qwriting.org/2012/03/18/written-on-the-scrim/</link>
		<comments>http://typecast.qwriting.org/2012/03/18/written-on-the-scrim/#comments</comments>
		<pubDate>Sun, 18 Mar 2012 13:00:44 +0000</pubDate>
		<dc:creator>Kevin L. Ferguson</dc:creator>
				<category><![CDATA[Written on the Scrim]]></category>

		<guid isPermaLink="false">http://typecast.qwriting.org/?p=531</guid>
		<description><![CDATA[This is the first of a series of meditations on writing systems and instruments in cinema: typewriters, pens, computers, tattoo guns, and so on.]]></description>
			<content:encoded><![CDATA[<p>This is the first of a series of meditations on writing systems and instruments in cinema: typewriters, pens, computers, tattoo guns, and so on.</p>
<p><a href="http://typecast.qwriting.org/files/2012/03/ShiningJackTypes2.jpg"><img class="alignnone size-full wp-image-539" src="http://typecast.qwriting.org/files/2012/03/ShiningJackTypes2.jpg" alt="The Shining, Jack Types, typewriter" width="690" height="499" /><br />
</a><br />
<a href="http://typecast.qwriting.org/files/2012/03/Written-on-Scrim1.png"><img class="alignnone size-full wp-image-534" src="http://typecast.qwriting.org/files/2012/03/Written-on-Scrim1.png" alt="written on the scrim, Think of films that present either real authors like William Shakespeare (Shakespeare in Love), the Marquis de Sade (Quills or Marat/Sade), Sylvia Plath (Sylvia), or fictional authors like in The Shining, Sunset Boulevard, Barton Fink. Think of films settled in the nitty-gritty world of newspapermen, investigative journalists, poètes maudits; of films that circle around secret code, alien writing, the delivery of cryptogrammed documents; of films that mangle communication, misdirect letters, spill coffee on manuscript pages. Think of all those films that visually fetishize (but is there any other way?) the bountiful excesses of the technologies of script, inscription, description (prescription, circumscription, conscription, transcription), in both real and in futuristic directions. Think of: the scriptal demi-materiality of thought. Thus the history of writing instruments in the cinema uncovers for us one of the questions of cinema itself--where does it come from, and where is it going? In showing individual humans using some graphological technology to create text, films confront their own mystery, giving the lie to the illusion that they too are so simply assembled." width="1006" height="1595" /><br />
</a><br />
<a href="http://typecast.qwriting.org/files/2012/03/Hamlet2000Note.jpg"><img class="alignnone size-full wp-image-538" src="http://typecast.qwriting.org/files/2012/03/Hamlet2000Note.jpg" alt="Almereyda Hamlet 2000 Note Rosencrantz Guildenstern computer" width="859" height="455" /><br />
</a><br />
<a href="http://typecast.qwriting.org/files/2012/03/Written-on-Scrim2.png"><img class="alignnone size-full wp-image-536" src="http://typecast.qwriting.org/files/2012/03/Written-on-Scrim2.png" alt="written on the scrim, Think of films that present either real authors like William Shakespeare (Shakespeare in Love), the Marquis de Sade (Quills or Marat/Sade), Sylvia Plath (Sylvia), or fictional authors like in The Shining, Sunset Boulevard, Barton Fink. Think of films settled in the nitty-gritty world of newspapermen, investigative journalists, poètes maudits; of films that circle around secret code, alien writing, the delivery of cryptogrammed documents; of films that mangle communication, misdirect letters, spill coffee on manuscript pages. Think of all those films that visually fetishize (but is there any other way?) the bountiful excesses of the technologies of script, inscription, description (prescription, circumscription, conscription, transcription), in both real and in futuristic directions. Think of: the scriptal demi-materiality of thought. Thus the history of writing instruments in the cinema uncovers for us one of the questions of cinema itself--where does it come from, and where is it going? In showing individual humans using some graphological technology to create text, films confront their own mystery, giving the lie to the illusion that they too are so simply assembled." width="1000" height="1587" /><br />
</a><br />
<a href="http://typecast.qwriting.org/files/2012/03/MurnauFaustDropBlood.jpg"><img class="alignnone size-full wp-image-537" src="http://typecast.qwriting.org/files/2012/03/MurnauFaustDropBlood.jpg" alt="" width="683" height="508" /></a></p>
]]></content:encoded>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Virginia at the Movies, Part IV</title>
		<link>http://typecast.qwriting.org/2012/03/14/virginia-at-the-movies-part-iv/</link>
		<comments>http://typecast.qwriting.org/2012/03/14/virginia-at-the-movies-part-iv/#comments</comments>
		<pubDate>Wed, 14 Mar 2012 13:00:18 +0000</pubDate>
		<dc:creator>Kevin L. Ferguson</dc:creator>
				<category><![CDATA[Watching Quotes]]></category>

		<guid isPermaLink="false">http://typecast.qwriting.org/?p=526</guid>
		<description><![CDATA[The ending of Storm over Asia:]]></description>
			<content:encoded><![CDATA[<p><a href="http://typecast.qwriting.org/files/2012/03/WoolfPart4.png"><img class="alignnone size-full wp-image-527" src="http://typecast.qwriting.org/files/2012/03/WoolfPart4.png" alt="&quot;storm over asia&quot;" width="1002" height="1800" /></a></p>
<p>The ending of <em>Storm over Asia:</em></p>
<p><iframe width="555" height="416" src="http://www.youtube.com/embed/jdn_5h0aDGY?fs=1&#038;feature=oembed" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Virginia at the Movies, Part III</title>
		<link>http://typecast.qwriting.org/2012/03/11/virginia-at-the-movies-part-iii/</link>
		<comments>http://typecast.qwriting.org/2012/03/11/virginia-at-the-movies-part-iii/#comments</comments>
		<pubDate>Sun, 11 Mar 2012 13:00:37 +0000</pubDate>
		<dc:creator>Kevin L. Ferguson</dc:creator>
				<category><![CDATA[Watching Quotes]]></category>
		<category><![CDATA[athenia]]></category>
		<category><![CDATA[charlie chaplin]]></category>
		<category><![CDATA[coronation]]></category>
		<category><![CDATA[diaries]]></category>
		<category><![CDATA[elle et lui]]></category>
		<category><![CDATA[george sand]]></category>
		<category><![CDATA[german]]></category>
		<category><![CDATA[great dictator]]></category>
		<category><![CDATA[herbert's]]></category>
		<category><![CDATA[jessie matthews]]></category>
		<category><![CDATA[just a girl]]></category>
		<category><![CDATA[letters]]></category>
		<category><![CDATA[modern times]]></category>
		<category><![CDATA[pudovkin]]></category>
		<category><![CDATA[submarine]]></category>
		<category><![CDATA[three guineas]]></category>
		<category><![CDATA[torpedo]]></category>
		<category><![CDATA[vanessa bell]]></category>
		<category><![CDATA[virginia woolf]]></category>
		<category><![CDATA[wwii]]></category>

		<guid isPermaLink="false">http://typecast.qwriting.org/?p=493</guid>
		<description><![CDATA[]]></description>
			<content:encoded><![CDATA[<p><a href="http://typecast.qwriting.org/files/2012/03/WoolfPart3.png"><img class="alignnone size-full wp-image-494" src="http://typecast.qwriting.org/files/2012/03/WoolfPart3.png" alt="" width="1000" height="1786" /></a></p>
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